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I’ve been a fan of his for years — I think he’s bold and brave, and I think I said brilliant.” She continued, “But I’ve been a fan, so once he told me the ideas floating around in his head I said yes.
Then I got a script and when I read it I threw it across the room and told him he had severe psychological problems.
However, it’s most clearly a sharp indictment of the reductive roles some men assign the women in their lives, robbing them of any sense of agency or respect.
Lawrence’s character is a literal homemaker, having rebuilt their house from the burned-out hulk it once was.
It is undeniably effective in setting mood and tone, and it’s the kind of film that will leave audiences talking no matter what they think of it.
If the sole purpose of art is to create an emotional response, is a masterpiece.
There’s an implied contract when someone buys tickets to a film — particularly one released by a major studio — that it’s going to fit within certain constraints in terms of intensity, imagery, or just general good taste.
It stars Jennifer Lawrence and Javier Bardem as a married couple living in a old, restored house, and it was wrapped in complete secrecy until its recent premiere at the Venice International Film Festival.
“I’ve been in relationships before where I am just confused,” she says.