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Catalogue of the exhibition, Stevenson gallery, Johannesburg, 2016.

Includes the essay, "Barthélémy Toguo's Strange Fruit and Our 'Mimetic Desire' for an Other" by Lwandile Fikeni.

When Peter died, the only thing that kept me sane was writing about grief.

I recognized that by spewing out my emotions with honesty, I was helping others which meant it was work that made me satisfied.'Do you think God is punishing me for having sex with a man 20 years younger than me?

, a project working with aspiring artists from the Dunoon community, and the Comic Art Unit of the Centre for Comic, Illustrative and Book Arts (CCIBA) at Stellenbosch University.

Includes an introduction by Johans Borman and paintings by JH Pierneef, Adolph Jentsch, Peter Clarke, Erik Laubscher, Cobus van Bosch, Walter Battiss, Cecil Skotnes, Simon Stone, Sanell Aggenbach, Clare Menck, Walter Meyer and Joshua Miles.

Yom Kippur, the Jewish holiday of repentance, had barely been over for 14 hours and I was already fighting with my husband.Contributions include: "Abasebenzi (workers)", based on a play written by Black Ink of Dunoon, with illustrations by Khanyiso Mabodla and Loyiso Pitolo assisted by Thabo Xinindlu "Umkhonto ugwaze ekhaya (Bad deeds come back to bite you)", based on a play written by Survivors of the Performing Arts, with illustrations by Anele Ncokazi and Sgqibo Mdleleni assisted by Khayalethu Ndolela.Catalogue of the exhibition of paper based works, collage, paper sculptures and altered books, Erdmann Contemporary, Cape Town, 2012.Includes the essays, "Asha Zero Macro Soda Text Hits" by Antoinette du Plessis, "Fragments of Memory: Asha Zero and the Waking Dream" by Gus Silber, and "Sublime Confusion" by Delphi Carstens.

Includes the essays: "Virtual Landscapes" and "Asha Zero and the Acts of Cancellation" by Sanford Shaman "Introduction to Micro Cluster Picnic" by Shane de Lange "Asha Zero Macro Soda Text Hits" and "Better Left Unsaid" by Antoinette du Plessis "Fragments of Memory: Asha Zero and the walking dream" by Gus Silber.Includes "Notes from the Coalface", Barbara Wildenboer interviewed by Carsten Rasch.In 2016 she completed a residency, awarded by Capo d'Arte and the French Academy in Rome, in Galiona del Capo, Italy.Published to coincide with the exhibition, "Barend de Wet: Green", SMAC Art Gallery, Stellenbosch, 2010.